This opera is one of Handel’s earliest, and like many of his stage works includes a role written for a castrato singer. In present day, these roles are generally sung by either a mezzo-soprano or a countertenor. For this production, the opera’s first at the Met, we see both a countertenor and a mezzo-soprano in male roles, giving us a variety of vocal colors. While set in the standard opera seria form of the time, the piece is really more of a satirical comedy. It was extremely well-received at its premiere, leading to an unprecedented 27 consecutive performances in Venice in 1709.

* This production contains mature material, including substance abuse and some sexual content, and is recommended for ages 17+.